素材适合题目类型：成功类、了解自身类、选择类
Louis Armstrong is an American jazz trumpeter who came to prominence in 1920s. He distinguished himself by great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. No one exceeded him in the field in his times for playing highpitch C and F.
Unlike many great musicians who grew up in a family with musical background or in a rich family that could provide enough funds for studying musical instruments, Louis Armstrong came from a poor slum district, abandoned by his father when he was an infant, and lived at the bottom of the society during his childhood. Under bad conditions, singing had been the only thing that delighted him: he participated in a youth chorus and sang in the streets, and sometimes he sang in church choir. He never gave up his dream for music. During his years in the Fisk School for Boys from 10 years old to 18 years old, he got the first exposure to cornet playing, and was mentored by a trumpeter Peter Davis. With talent and diligence, he had made great progress, and become a well-known cornet player in New Orleans when he left the Fisk School. In 1922 he joined Joe King Oliver Orchestra. Under guidance of Oliver, he gradually edified his status as an exceptional solo performer.
路易斯•阿姆斯特朗
路易斯•阿姆斯特朗是一位在二十世纪二十年代成名的美国爵士小号演奏家。他以熟练的即兴演出出名，将旋律、节奏和曲调完美结合来表达情感。在他那个年代，没人能够超越他，没人能像他一样演奏出高音C和高音F。
和那些生长于音乐世家或者富裕家庭的大音乐家不同，路易斯•阿姆斯特朗出生于一个贫民窟，当他还是襁褓婴儿的时候就被父亲抛弃，儿童时期一直生活在社会底层。在如此糟糕的生活条件之下，唱歌成了唯一使他高兴的事：他参加少年合唱团在街头演唱，有时会在教堂唱诗班中一展歌喉。路易斯•阿姆斯特朗从未放弃过对音乐的追求。在他10岁到18岁在菲斯克男子学院期间，他第一次接触到短号演奏，并一直由一名小号演奏家彼得•戴维斯教导。天赋加上勤奋，他在短号演奏方面进步神速，在他离开菲斯克学院时候他已经成为了新奥尔良知名的演奏者。1922年他加入了奥立佛国王乐团，在奥立佛的指导下，他逐渐建立起作为一位伟大独奏者的地位。
最新热文推荐：
